《喪日少女》劇情介紹
《喪日少女》是由艾瑪·塞利格曼執(zhí)導(dǎo)，艾瑪·塞利格曼編劇，瑞秋·塞諾特,丹尼·德費拉里,弗雷德等明星主演的劇情,電影。
這個故事描述了一個年輕人在面對壓力和困境時如何尋找自己的激情和目標(biāo)，并最終克服困難實現(xiàn)自己的夢想。故事的主要主題是堅持追求自己的夢想和信任自己的能力。通過丹妮爾的經(jīng)歷，我們可以看到她在面對壓力和困境時的掙扎和迷茫，但最終通過舊愛的幫助和鼓勵，她找到了重新定義自己的方法。這個故事還強調(diào)了自我接納和自我愛的重要性，以及如何處理生活中的困難和挫折。最終，丹妮爾的故事給人們帶來了希望和鼓舞，鼓勵他們勇敢地面對自己的困難和挑戰(zhàn)，追求自己真正想要的生活。
《喪日少女》于2020-03-15上映，制片國家/地區(qū)為美國。時長共78分鐘，語言對白英語，最新狀態(tài)HD。該電影評分6.8分，評分人數(shù)848人。
《喪日少女》演員表
《喪日少女》評論
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《喪日少女》影評
[FilmReview]ShivaBaby(2020)?。?/h3>《喪日少女》是一部情節(jié)扣人心弦的電影，它融合了喜劇和成長故事。故事的主線圍繞著丹妮爾即將大學(xué)畢業(yè)，但對未來的規(guī)劃感到迷茫。丹妮爾面臨著來自各方面的壓力，這使得她無法控制自己的飲食和健康。她陷入了一個無休止的循環(huán)中，不斷地攝入食物，卻無法滿足自己內(nèi)心的需求。這種困境讓她感到絕望和無助。然而，在一場葬禮上，丹妮爾被自己的父母、高中前女友以及一個神秘的“特殊熟客”所圍困。這些人的出現(xiàn)使她感到更加壓抑，甚至到了崩潰的邊緣。她感到自己無處可逃，仿佛被困在一個沒有出口的迷宮中。然而，在丹妮爾絕望之時，一個意想不到的人出現(xiàn)了。這個人就是她的舊愛，他理解丹妮爾的困境，并給予了她理解和救贖。通過與舊愛的交流和支持，丹妮爾逐漸找到了自己的方向，并開始重新審視自己的生活?！秵嗜丈倥凡粌H僅是一部喜劇電影，它還通過丹妮爾的成長故事向觀眾傳遞了許多深刻的思考。它提醒我們，在面對困境和壓力時，我們應(yīng)該尋找支持和理解，并勇敢地面對自己的內(nèi)心。這部電影通過幽默和感人的方式，給觀眾留下了深刻的印象，讓人對生活和人性有了更深入的思考。
It’s debut feature assessment time! Two aspiring female filmmakers delight and impress us in rather different ways. Emma Seligman’s SHIVA BABY, a US-Canada production extended from her eponymous short, is a faux-spontaneous, concise film that whirls around almost in real-time, it runs only 77 minutes but what a whirlpool of anxiety-ridden quagmire it is! SAINT MAUD is a British psychological horror about a Catholic zealot consumed by her savior complex, first-time director Rose Glass stylishly flexes her muscles of genre-moviemaking and it features a blue-ribbon performance from Morfydd Clark.
In SHIVA BABY, American Jewish college girl Danielle (Sennott) attends a shiva with her parents. There she touches base with her ex-girlfriend Maya (Gordon) and bumps into Max (Deferrari), who is the last person in this world she wants to see under the circumstances, one of her clients since on the sly, Danielle moonlights as a fille de joie to earn some quick cash, which her clueless parents think she earns from baby-sitting.
Actually, a sitter is gravely needed when Max’s Gentile wife Kim (Agron) brings their bawling bundle of joy to the shiva, Danielle’s secret is at risk when telltale signs are observed by Kim, her naive act of sexual autonomy backfires and it is Maya who twigs her side hustle, a falling-out dampens their renewed passion. Beset by family friends’ gossipy inquiry, a hot-and-bothered Danielle is desperate to leave, when measured small talk becomes exceedingly awkward, only a cup of lukewarm coffee can offer her a breather, and the family’s egress is another scrape where everybody is squeezed out of their comfort zone but Seligman also celebrates the girls’ solidarity whereas their older generation is predisposed to pass judgement.
Sennott bestirs herself particularly well, her Danielle seems perpetually teetering on the brink of cracking up, but like many people of her age, Danielle’s irritable facade is her go-to defense mechanism, underneath that, her insecurity, vulnerability and strength are all in nascent form needs to be seen and nurtured.
SHIVA BABY is a quirkily energized, even frenetic (when Danielle’s anxiety level surges, her vision of reality is also pertinently warped and roasted, on the strength of Seligman’s showy technique and composer Ariel Marx’s eerie string klezmer) practice of mapping out a Jewish girl’s bisexuality (without making a fuss over it) and inquietude caused by the constraint of a suffocating family tie (the overbearing Jewish mother/the insensitively amicable Jewish father tropes are worn-out), and if you suffer from social anxiety disorder, the film’s relatability is spot-on.
Title: Shiva BabyYear: 2020Country: USA, CanadaLanguage: EnglishGenre: ComedyDirector/Screenwriter: Emma SeligmanMusic: Ariel MarxCinematography: Maria RuscheEditing: Hanna A. ParkCast:Rachel SennottMolly GordonPolly DraperDanny DeferrariFred MelamedDianna AgronGlynis BellJackie HoffmanVivien LandauSondra JamesCilda ShaurRating: 7.5/10
《喪日少女》是一部情節(jié)扣人心弦的電影，它融合了喜劇和成長故事。故事的主線圍繞著丹妮爾即將大學(xué)畢業(yè)，但對未來的規(guī)劃感到迷茫。丹妮爾面臨著來自各方面的壓力，這使得她無法控制自己的飲食和健康。她陷入了一個無休止的循環(huán)中，不斷地攝入食物，卻無法滿足自己內(nèi)心的需求。這種困境讓她感到絕望和無助。然而，在一場葬禮上，丹妮爾被自己的父母、高中前女友以及一個神秘的“特殊熟客”所圍困。這些人的出現(xiàn)使她感到更加壓抑，甚至到了崩潰的邊緣。她感到自己無處可逃，仿佛被困在一個沒有出口的迷宮中。然而，在丹妮爾絕望之時，一個意想不到的人出現(xiàn)了。這個人就是她的舊愛，他理解丹妮爾的困境，并給予了她理解和救贖。通過與舊愛的交流和支持，丹妮爾逐漸找到了自己的方向，并開始重新審視自己的生活?！秵嗜丈倥凡粌H僅是一部喜劇電影，它還通過丹妮爾的成長故事向觀眾傳遞了許多深刻的思考。它提醒我們，在面對困境和壓力時，我們應(yīng)該尋找支持和理解，并勇敢地面對自己的內(nèi)心。這部電影通過幽默和感人的方式，給觀眾留下了深刻的印象，讓人對生活和人性有了更深入的思考。
It’s debut feature assessment time! Two aspiring female filmmakers delight and impress us in rather different ways. Emma Seligman’s SHIVA BABY, a US-Canada production extended from her eponymous short, is a faux-spontaneous, concise film that whirls around almost in real-time, it runs only 77 minutes but what a whirlpool of anxiety-ridden quagmire it is! SAINT MAUD is a British psychological horror about a Catholic zealot consumed by her savior complex, first-time director Rose Glass stylishly flexes her muscles of genre-moviemaking and it features a blue-ribbon performance from Morfydd Clark.
In SHIVA BABY, American Jewish college girl Danielle (Sennott) attends a shiva with her parents. There she touches base with her ex-girlfriend Maya (Gordon) and bumps into Max (Deferrari), who is the last person in this world she wants to see under the circumstances, one of her clients since on the sly, Danielle moonlights as a fille de joie to earn some quick cash, which her clueless parents think she earns from baby-sitting.
Actually, a sitter is gravely needed when Max’s Gentile wife Kim (Agron) brings their bawling bundle of joy to the shiva, Danielle’s secret is at risk when telltale signs are observed by Kim, her naive act of sexual autonomy backfires and it is Maya who twigs her side hustle, a falling-out dampens their renewed passion. Beset by family friends’ gossipy inquiry, a hot-and-bothered Danielle is desperate to leave, when measured small talk becomes exceedingly awkward, only a cup of lukewarm coffee can offer her a breather, and the family’s egress is another scrape where everybody is squeezed out of their comfort zone but Seligman also celebrates the girls’ solidarity whereas their older generation is predisposed to pass judgement.
Sennott bestirs herself particularly well, her Danielle seems perpetually teetering on the brink of cracking up, but like many people of her age, Danielle’s irritable facade is her go-to defense mechanism, underneath that, her insecurity, vulnerability and strength are all in nascent form needs to be seen and nurtured.
SHIVA BABY is a quirkily energized, even frenetic (when Danielle’s anxiety level surges, her vision of reality is also pertinently warped and roasted, on the strength of Seligman’s showy technique and composer Ariel Marx’s eerie string klezmer) practice of mapping out a Jewish girl’s bisexuality (without making a fuss over it) and inquietude caused by the constraint of a suffocating family tie (the overbearing Jewish mother/the insensitively amicable Jewish father tropes are worn-out), and if you suffer from social anxiety disorder, the film’s relatability is spot-on.
Title: Shiva BabyYear: 2020Country: USA, CanadaLanguage: EnglishGenre: ComedyDirector/Screenwriter: Emma SeligmanMusic: Ariel MarxCinematography: Maria RuscheEditing: Hanna A. ParkCast:Rachel SennottMolly GordonPolly DraperDanny DeferrariFred MelamedDianna AgronGlynis BellJackie HoffmanVivien LandauSondra JamesCilda ShaurRating: 7.5/10
